2011 Kominek Books, 24,5 x34,5 cm , 144 pages 100 images, color and b/w duotone. Series is an attempt to examine Enrique Metinides’ work from the perspective of cinematography, sequentially revealing facts that come together in a substantial way to form a common motif with continuity—thematic at least—between the various episodes of his oeuvre. This iconoclastic approach […]
This short film is dedicated to the life, work and wonderful mystery of Ms. Vivian Maier. All images and 8mm by Vivian Maier.
Vom 9. September bis 20. November 2011 zeigt die Kunstsammlung Jena den weltberühmten Fotografen Anders Petersen.
In October 2010 Bruce Gilden completed the last leg of his work in Fresno, California. California has one of the highest rates of foreclosure in the United States and 21.7 percent of all the riskiest loans. Here, the housing prices peaked in early 2005 and started to decline in 2006.
Haverstraw, New York, 1966 Friedlander is a photographer, never forget. Although a major photographic artist, he is not an ‘artist utilising photography.’ He uses the camera, that unthinking machine, to transcribe his visual perceptions of the world. Out of the Cool – Lee Friedlander at the V&A By Gerry Badger, from Creative Camera (1991) ‘That […]
By O.C. Garza The years were 1974, 1975 and 1976. Step back to those years in what was the active, peaceful city of Austin, Texas. The city is nestled hard against the banks of the Colorado River that knives through central Texas. This state governmental seat was changing as it always has and always […]
from The New West @ Robert Adams This pitiless light, virtually combusting in the thin Colorado air, was, I thought, an invention born in the certain glare of the place… By Tod Papageorge In April 2000, The Yale University Art Gallery purchased the 193 prints that compose Robert Adams’s What We Bought: The New World, […]
Director Cheryl Dunn was commissioned by the Seaport Museum New York to make a documentary about photographers who have used New York City street life as a common thread in their work. Produced by ALLDAYEVERYDAY, Everybody Street premiered at the museum in conjunction with the exhibit Alfred Stieglitz New York and was released in segments […]
Director Cheryl Dunn was commissioned by the Seaport Museum New York to make a documentary about photographers who have used New York City street life as a common thread in their work. Produced by ALLDAYEVERYDAY, Everybody Street premiered at the museum in conjunction with the exhibit Alfred Stieglitz New York and was released in segments […]
“So I got used to seeing dead people—and more dead people—and I took their pictures. And we would go to where the dead person was, and since the authorities then the reporter do his work, we would go right inside the houses where the crime had occurred, on the street, in the factory, in a […]
“I’m no part-time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers, plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera.” Weegee and the Jewish Question By David Serlin and Jesse Lerner Weegee (né Usher Fellig) is best known for his dystopic urban photographs, principally those images made in New York as […]