Owen Campbell

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Roma’s images disappoint any prudish or salacious imagination of the cruising spot; there’s no sense of anything sordid, much less anything lewd happening.

Thomas Roma @ Steven Kasher Gallery: A 1970’s Cruising Spot in Brooklyn, Public Sex Handled with Care

Hiroshi Sugimoto’s, 'Seascapes' is a meditation on time examined through repetition and constancy...

Hiroshi Sugimoto’s ‘Seascapes’: Measuring Time in Repetition

Raymond Depardon: 'Manhattan Out' and 'Adieu Saigon'

Raymond Depardon: ‘Manhattan Out’ and ‘Adieu Saigon’

There are almost no humans in Wender’s photos. I almost forget there’s a human behind the camera in a way that would never happen with other road trip photographers.

Paris, Texas, Distance and Almost No Humans in Wim Wender’s ‘Written in the West’

The words,

Modern Day Racial Segregation and White on Black Murder: Gillian Laub’s ‘Southern Rites’

True Romance - Both Sides of Sunset: Photographing Los Angeles

True Romance – Both Sides of Sunset: Photographing Los Angeles

Marilyn Minter: Pretty/Dirty Glossy/Dangerous

Marilyn Minter: Pretty/Dirty Glossy/Dangerous

Pettibon’s drawings say: sure, I’ll suck dick for cigarettes.

Raymond Pettibon – The Art of Black Flag (1980s)

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