David Campany’s ‘Gasoline’ and the American Temple

It embodies Campany’s belief, “that photographs don’t have meanings: they have potential for meaning. It’s a question of how they’re used.” Or rather how we decide to see them. THE AMERICAN TEMPLE By Vladimir Gintoff for ASX, October 2013 History often reveals itself in unexpected places. Take Salt, Mark Kurlansky’s non-fiction opus on how a […]

An Interview with Lewis Baltz

“I don’t think we need that at all, any more; we already know, to the point of ennui, what the world looks like in photographs.”   Interview with Lewis Baltz: Jean-Pierre Greff and Elisabeth Milon The photographer Lewis Baltz, originally from California, has spent the past thirty years, mainly in urban and suburban surroundings, bringing […]