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Kacper Kowalski: A Cut From Above
“There is also the play of “organic sight” seen from the unusual perspective looking down from above. It’s a interesting play between seeing things (purposefully without use of drone)…”
“There is also the play of “organic sight” seen from the unusual perspective looking down from above. It’s a interesting play between seeing things (purposefully without use of drone)…”
“If you are of a certain generation you will be able to read the work or at least the genesis of its flow by association to children’s television, gardening and cooking books on your grandparents shelves…”
“While photographic techniques and mysteries are patiently explained, the paintings present are left simply to be. Everywhere one sees photographers paying homage to painters, nowhere the reverse. A fact which speaks inadvertent volumes.”
“It is not as a blackout from his own memory but to revitalise the missing parts, to allow himself and the viewer to fall into the image, to find oneself in that space.”
“I did recognise the irreplaceable object and destroyed it and my embattled state of mind with America continues.”
“I’ve been trying to transfer some of the states of altered perception resulting from opium use”
“The paintings are beautifully grotesque and at one with the human condition. The bubbling and fungal masses are crude stand-ins for our own nature of fucking, feasting and dying”
“It is thus, my most coveted photography book of the year in its qualification as unspeakable language and the glory of the potentially transcendental image.”
I was, part of a youth culture, a movement. And I greatly embraced this liberating music and club life, which was in such stark contrast to the posy-dressy 80s.