Full Article on Patreon This is an incredibly complicated book. It is one that I have been chasing for a year or so since I first became aware of it. It has a cult-like status for many reasons, least of all are the photographs, which are also incredible. The story of Baitel amid a […]
Diane Arbus, from Untitled This is a 20k-word reaction to Diane Arbus’s posthumously published work Untitled by Aperture. The post comes from a long reaction post on Brad Feuerhelm’s Instagram, where various members of the photographic community replied with their thoughts about the book and its ethical boundaries. The resulting post is a […]
Were all just passengers here, some of us just feel the need to document our experiences to convey, reflexively back to ourselves, that we were ever really present. We rely on the camera as a means for which to confirm our existence and our incremental movements here under the increasingly hot sun. The camera […]
I had the pleasure of talking to Alexis Fabry on the publication of the catalogue of Battered Latin America, the exhibition he co-curated earlier this year at the Fondation A Stichting in Brussels. The book compiles the work of twenty photographers, including lesser-known names (Jaime Villaseca, Agustín Martínez Castro) and many of the region’s luminaries (Paz […]
An Interview between Zak R. Dimitrov, Beata Bartecka, and Łukasz Rusznica regarding their book How to Look Natural in Photos Palm* Studios and OPT. How to Look Natural in Photos is a functional, yet very aesthetically pleasing book. It examines the way photography operates as a mechanism and a tool for […]
The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his fingers are only a few centimeters away. Time is […]
RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]
“You know, the way that if you can stay curious about something, and keep attending to what it is in this moment of encountering it, there’s always more to discover” ZD: I wanted to kick this off with a fairly straightforward question, but it might turn out not to be one. […]
“We may consider these types of photographs as a glimpse, a grimace or a greeting between subject and viewer, nothing more” It is hard to condense seven years of intimacy into the frames of 35mm negatives. You cannot easily graph the moments that pass between two orbiting worlds, the moments of affection, disagreements […]
BF: Photo Book Corner has just taken up new quarters, new premises in Lisbon. Is this the first shop that you have had for the Photo Book Corner? Can you perhaps give us a little insight into when you started working with books? Did you come through photography or was this started from the book […]
” For 12 Hz I intentionally avoided references to place, not wanting to tether the individual images to mappable ‘locations,’ for the reasons stated above” Carl Fuldner: There’s a curious sense of time and place reflected in these works that seems to operate beyond a human framework. It brings to mind ‘deep time,’ […]
“The phrase “necessary fictions” both characterizes state-created realities, whether simulation in the military training context or the deployment and consumption of fictions in civilian society, and also comments on the documentary form.”