Full Article with More Images on Patreon It is essential to understand the biography of Tomatsu to understand what the emotion of rage or anger may be prevalent in his work. As a pubescent teen during the atomic bombing of Japan and the subsequent end of the Second World War, Tomatsu recalls the occupation […]
Full Article on Patreon I am curious as to what lies between the notion of glancing versus that of observation. Can an observation be reduced to a glance? Can a more prolonged glance become an observation, and what do these questions pose to how we make photographs and how do we view them […]
Full Article on Patreon So, the dig at post-industrial decay has put a giant bee in my bonnet. But what should I expect about the unspoken class issues that revolve and permeate through and in photography these days? I mean, if you have a New York-London-based photographer stat in your bio and are in […]
Full Article on Patreon …In assessing Dark Matter, I am also reasonably confident that this use of newspaper imagery is lodged in the artist’s practice from influences such as Michael Schmidt, whose book Ein–Heit, produced in the 90s, made great use of similar aesthetics of inconvenient German history, which was photographed and hung […]
Full Article on Patreon …Further images within images add to the sense of a lived space as Becher family photos from the 20s and 30s adorn mantels and countertops, with a finesse of an image, ala the Bechers, of a water town, sat, out of frame, lithely resting against a presumed wedding […]
Alejandro Acin The Rest is History ICVL Studio and supported by Sala Kursala Programa Cultural The machinations of history are in constant flexes of exchange. They are impermanent, their concept a flux, or are often a mess of contradictions. We are taught history as if it were permanent, an established and often binary set of […]
Full Article on Patreon This is an incredibly complicated book. It is one that I have been chasing for a year or so since I first became aware of it. It has a cult-like status for many reasons, least of all are the photographs, which are also incredible. The story of Baitel amid a […]
From Gui Marcondes I Know I Exist Because You Imagine Me …By having our monthly meetings, the artist, who may work a day job or run a family, is encouraged to return to work to provide progress notes. There is no strike against them if they cannot bring something new every month as we […]
Full Article With More Images On Patreon Throughout the work, Hara photographs portraits. Some of these images are culled from her familiar everyday journeys, with images of people on the street or in trains elegantly abetting the images of her family. Though far from a family book in the traditional sense, the text […]
Full Article With Many More Images on Patreon All in all, this book is significant. It bears all the marks of an undervalued classic. It is a book that escapes the doldrums of photography and its representations to speak about something ecological and outside of the medium while also employing a handicraft that is […]
Full Article on Patreon Gervin’s work reflects the American moment in the second decade of the second millennium through tendencies similar to those seen in a good deal of American photography during the Vietnam War era. I see some resemblances to protest coverage by Gene Anthony, a Black Star agency photographer who captured the […]
Dave Heath – One Brief Moment Review by Simon Bray Within the opening pages of Dave Heath’s ‘One Brief Moment,’ there is a certain air of occasion. Gathered masses fill the middle of the street, suggesting that these are not singular moments but a crowd united by a collective sense of anticipation and […]