Support the Shops: Interview With Photo Book Corner Rui Ribeiral

BF: Photo Book Corner has just taken up new quarters, new premises in Lisbon. Is this the first shop that you have had for the Photo Book Corner? Can you perhaps give us a little insight into when you started working with books? Did you come through photography or was this started from the book […]

Camille Vivier’s Sophie: Get Swole or Get Lost, Punk

  “The use of gold on the bodies of some of her models completed the circuit of transcendent feminine opulence meted out in carefully sourced locations”   This book never got its full due on ASX, though it was in my list for the end of the year in 2019 and I felt it pertinent […]

Jurgen Teller & Harmony Korine William Eggleston 414

  “There is an emphasis on banality, but also the whispered markings of the south with dead deer and hand-painted signage”   William Eggleston 414 is a compelling book for what it is and what it is not. At first, when I saw the title in the Steidl catalogue, I simply thought it was a […]

Chris Killip: The Station and a Note of Gratitude

  “Killip was a human first and an observer or lucid chronicler second”   Chris Killip is known for his immeasurable and singular vision of Britain during the 70’s 80’s and 90’s. To place emphasis on his work in a genre-fied manner would belittle his and its true humanity and potential. Killip was a human […]

Sergio Purtell: Love’s Labour Review by Zak Dimitrov

“One can use a camera to explore or utilise philosophy, politics, psychoanalysis and what not and this is wonderful as it broadens the scope of what is achievable with this tool. It tends to be forgotten that this is not, however, the be-all and end-all technique”   When one thinks of photographic projects, which more […]

Peter Mitchell: Early Sunday Morning, Signs & Reasons

  “I have assumed this focus on the found vernacular to be American in nature. However, the details of national ownership is missing apart from the rise of American modernism or the focus on its anti-thesis, namely quaint small town America advertising often hand painted and rough”   It is somehow impossible not to mention […]

Thoughts on Manuel Álvarez Bravo’s Color Work

  “Sunlight arms color photographs with daisies and when it refutes initiation, it instead lends pestilence to limbs that once lovingly embraced the nectar of its floral inhabitants”   Color is a very sensitive pursuit. It curries favor with no artist. It has an understanding about it that exceeds what appears outright as a seasonal […]

Gerry Johansson’s Meloni Meloni

“Where is “the thing I am not seeing”?”   We’ve become quite accustomed to understanding the importance of photographs based on the frenetic pace that they occupy. Our eyes are expectant. They hover over an image looking at the embedded chaos of news images, photographs of cities, etc. and when they are challenged with a […]

Hans-Christian Schink’s Slowness as Method in Hinterland

"Slowness as an idea is to suggest something still in the photographic image. If not still, it suggests something tectonic or glacial in pace"   Slowness in photographic terms reflects an indebtedness to a few varying factors. One is of course technical. Large cameras take by comparison a very long time to set up and [...]

Samuel Fosso Autoportrait SIX SIX SIX

"Our point of view of the self is hidden and although personal subjectivity is widely considered to be the foundation of image-making at present, we have deluded ourselves for a great number of years suggesting that photography could ever be anything more than the self exposed through images of the exterior."   The greatest gift [...]

Stephen Shore: Transparencies VS. American Surfaces 2020

  “The Transparencies book published by MACK is also significant in its design, the essay within and sequence of the work, which is chapterized by annual progressions through the 70’s American dream in banal (good word, word of goodness) detail”     It is not often that a re-examination of the periphery of a significant […]

Gordon Parks: The Atmosphere of Crime, 1957/2020

  “It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…”   It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]