Stephen Gill

Stephen Gill: The Plentiful Pillar

“The camera was best invented for Schopenhauer.”

Stephen Gill: Extricating the Diurnal Impulse

“These experiences bear the uncanny weight of dissonance before visualization-the morass of the hidden nexus of a world that cannot be controlled the same as it is within the ruminating experience of daylight.”

Bertien Van Manen: The Unexacting Memory of Wolves

“The trajectory of memory in its successes and failures and the distance from which these punctuating images within are dissolved is an important and very difficult tool to employ post-event.”

Photography Class of 2017 – Kittens, Rainbows and Unicorn Supplement

“Finally, a “Eureka Moment”- the image I “took” belongs to Martin Parr, the Godfather of Gaudy. I know this not because I have any of his books or any desire to devote much attention to his work, I know this because I have the Internet”

Stephen Gill’s “Best Before End” at FOAM (2013)

Talking to Ants 2 © Stephen Gill courtesy of the artist Fanny Landstrom reviews Stephen Gill’s exhibition, Best Before End, at the Foam Museum, Amsterdam (17th May – 14th July, 2013) for ASX, May 2013 “Stephen Gill has learnt this: to haunt the places that haunt him. His photo-accumulations demonstrate a tender vision factored out of […]

Stephen Gill – “Best Before End” (2013)

Photographer Stephen Gill talks about his series Best Before End. The exhibition is shown in Foam from 17 May to 14 July 2013. Foam presents the first retrospective exhibition of English photographer Stephen Gill (Bristol, 1971). The Best Before End exhibition comprises a large number of series that Gill has made over the past fourteen […]

Stephen Gill – ‘A Series of Disappointments’ (2010)

Photographer Stephen Gill captures on film betting slips discarded in and around bookies in Hackney in north-east London. A Series of Disappointments. Photographs by Stephen Gill. Nobody, 2008. Cat# ZD389 ISBN-13: 978-0955657719