Full Article on Patreon Gervin’s work reflects the American moment in the second decade of the second millennium through tendencies similar to those seen in a good deal of American photography during the Vietnam War era. I see some resemblances to protest coverage by Gene Anthony, a Black Star agency photographer who captured the […]
“There are downsides of course to these multiple identities. You can find yourself developing a bit of a split professional personality and it can make it difficult at times to know where to best direct your energies. Other people struggle with your split loyalties as well.”
“Haunted by a crisis of faith in its authenticity, the documentary genre is continually trying to re-position itself in relation to today’s excesses of a post-truth ideology and blurred frames of realism.”
Andrew Miksys’ “Tulips” is a book that I found when reading through Simon Baker’s picks for 2016. Having not seen the book, but fully trusting Baker’s taste, I inquired with Andrew about the book and was happily surprised at the overwhelming beauty of the object itself as well as the content inside.
“Agamben’s ‘bare life’ is visualized through the refugees and migrants, desperate lives in search of a better future and for us, a potential vision of a dystopia where the extreme polarity between those of us inside and those outside is distinctly highlighted.”
“Perhaps she is transsexual. My only real experience with Italy prior to 2002 is when I tried desperately to buy weed from a transsexual prostitute along the outer wall of the Protestant cemetery in Rome. It ended in an angry dismissal of my interests and my being from said prostitute. “No sex, No weed Fucking American””
“Blue is the color of the unreal, of the memory, of the open mind, of the royal, the precious and the rare. Blue is the color of the absolute, the higher, the divine, of cold and of clarity. It is the color of Yves Klein, Derek Jarman, Picasso and Gerard David.”
“What is at work here is not that the image is iconic, but that it is graphic and SUPERFAMILIAR, which legitimizes its effect and distribution”
“The idea of art and politics co-existing is no more or less deeply problematic than the idea of them being separate. But nobody said it was going to be a picnic.”
“He recalls developing his negatives by moonlight, having to make his way to the ferry on a road thick with often-time un-negotiable elephant herds. He tells of carrying his chemicals with him and cutting down his negatives to get a surplus of possibilities. I never had this.”
“(Congo) is one of the very few places in the world that has not been extensively documented.”