Full Article on Patreon Returning to the idea of memories, one can feel all of these tendencies in the work used to enforce a slippage of time. Close-up images and somewhat obscure faces place the photographs inside a dream factory or memory farm. These fragments of realism play heavily with our ability […]
“I consider the photograph as an imprint, remnant, of an activity. The fact that the photograph exists implies a viewer located it at a specific place and time”. Brad Feuerhelm in Conversation with John Divola, October 2015 BF: I’ve been reading some of your interviews from the 80’s to present. What strikes me is the consistency […]