“There is a maturity involved in this process and a willingness to communicate in overly direct means a simple, yet solid message to the viewer” One of the great compulsions towards photographic projects is to overcomplicate the frame and drive of a project through a sometimes compelling narrative that leads an audience through […]
So goes the hysterical re-invention of hysteria by Javier Viver
Girl Before A Mirror by Pablo Picasso “People are always asking me to sign my old canvases. It’s ridiculous!” – Picasso An excerpt from Conversations with Picasso by Brassaï Wednesday 20 October 1943 The table, only yesterday covered with dust, is completely clean. Catalogs, brochures, books, and letters have been carefully dusted and even arranged by size […]
Explore the entire ‘Paris at Night Gallery
William Klein was invited to Tokyo in 1961, where he shot for three months and made more than 1,000 pictures.
“In 2009 I started noticing a major militarization of the US/Mexico border and since then I have been photographing the almost 2000 miles between the Gulf Of Mexico and the Pacific Ocean. Whatever the politics are about and they are very complicated… the migration… the tragedies… the humanitarian issues that these people go through to […]
“I’m still in love with Paris. But then we are not in the beginning of our relationship, so I might look at it with more nuances than before.” JH Engstrom Interview, Brad Feuerhelm, ASX, April 2015 JH Engstrom’s incredible body of work circumnavigates the contemporary tradition of big dumb color photographs of abstracted nothingness for […]
The Rhine II, 1999 There is something very straightforward about Andreas Gursky’s photographs. It is as though he holds up a peopled landscape or a building or a workplace for our inspection, saying simply, ‘here it is’. The Iron Cage of Boredom By Julian Stallabrass There is something very straightforward about Andreas Gursky’s photographs. […]
Brassai always insisted that none of his photographs was posed… By Marja Warehime, excerpt from Brassai: Images of Culture and the Surrealist Observer Brassai always insisted that none of his photographs was posed, and there is no reason to believe that he behaved differently with the toughs in the rue de Lappe then he […]
A film by Linus Höök / Studio Tintin which was commissioned by the Hasselblad Center in Gothenburg for JH Engström exhibition Haunts in 2005. ASX CHANNEL: JH ENGSTROM (All rights reserved. Film @ Linus Höök)
An ASX Interview with Hubert Marot, by Guillaume Blanc, ASX Paris, April 2013 GB: What type of education did you receive? (how do you perceive it, what did it teach you) HM: I did a foundation course at the Beaux Arts in Nice, that’s when I decided I wanted to learn photography. So I enrolled […]
The stairs lead us to an overwhelming space. The walls breathe no more, they are covered with images from the floor to the ceiling, as as many painful scars to bear. By Guillaume Blanc, ASX, February 2013 Antoine d’Agata – The drifting mankind With the exhibition Anticorps, Le Bal shows, from 24th January to […]