Revisiting Claudia Andujar with Marlaine Glicksman

“Photography is the process of discovering the other and, through the other, oneself. Intrinsically, that is why the photographer seeks and discovers new worlds but in the end always shows what is inside himself.” —Claudia Andujar   As a child, Claudia Andujar laid awake and listened silently for the spirits the servants were certain inhabited […]

An Interview with Eugene Richards: ‘Cocaine True, Cocaine Blue’ (1995)

Excerpt from Popular Photography, August 1995 Q: When did you get the original assignment to photograph the drug scene? A: I made a trip to Detroit for Life in the late 1980’s to research the drug problem. It went badly. I couldn’t get anyone to help me break into the downtown Detroit scene. When I […]

‘Segregation Story’ by Gordon Parks Brings the Jim Crow South into Full Color View

Department Store, Mobile, Alabama, 1956 @ The Gordon Parks Foundation Ondria Tanner and Her Grandmother Window-shopping, Mobile, Alabama, 1956 @ The Gordon Parks Foundation Outside Looking In, Mobile, Alabama, 1956 @ The Gordon Parks Foundation  Untitled. Mobile, Alabama, 1956 @ The Gordon Parks Foundation Untitled. Mobile, Alabama, 1956 @ The Gordon Parks Foundation At Segregated […]

John Szarkowski: “Photography and the Mass Media” (1967)

  By John Szarkowski, originally published in Dot Zero, Spring 1967 The basic effect of modern mass media on photography has been to erode the creative independence and the accountability of the photographer who has worked for them. This is not a value judgement (except from the point of view of the photographer) but rather […]

MARGUERITE BAKER JOHNSON: “AMERICAN LIFE” (1952-1964)

Marguerite Baker Johnson, a native of Brussels Belgium was a noted female photographer noted as the first woman to take photographs inside the arena at “Cheyenne Frontier Days”, a task formerly conducted by men due to the dangerous setting. Her photos appeared in the New York Times, Chicago Tribune, Automotive Periodicals, London Times, Daily Mirror, […]