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Dry Bodies, Bad Dreams, Haifa Street. Found Images from the Iraq War.
“Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs – it’s like they invade my dreams- I can’t get relief either awake or asleep.”
“Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs – it’s like they invade my dreams- I can’t get relief either awake or asleep.”
Courtesy of THESE AMERICANS
”Start to live; start to see how you can be dead and alive at the same time instead of alive and alive.”
Within the event of this testimonial, we have supervised a position of conducting, in negative harmonics, a passage between the afterworld of death and our ability to master control over its parts by maintaining formal contact with the sub-committee of horror. Candy apples and razor blades Little dead are soon in graves I remember […]
@ The Estate of Dash Snow and Courtesy DAP Art shouldn’t be a product of the art world, but a product of the world world. By Owen Campbell I told my friend I was reading Glenn O’Brien’s intro essay to Dash Snow’s I Love You, Stupid. He said he always thought Dash Snow was […]
@ Nobuyoshi Araki Feeling of Spring Unworthy of Compassion. By Alex Bocchetto, ASX, March 2015 As soon as I open I open Marvelous Tales of Black Ink I’m welcomed by a woman with mysterious eyes, her tits squeezed by hemp rope, She’s looking in the camera with a vague hint of ennui like she’s out […]
@ Peter Watkins You tow the loss like the Rock of Gibraltar around your neck hoping it doesn’t pull your body to the black emptiness at the bottom of the ocean. At times you struggle against the algae and various plankton that want a piece of you to feed on while you gasp for […]
“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.” By […]
“To start, not all of the pictures that a photographer makes are important.” Photography as Art: The Involvement of the Photographer with His/Her Subject and Photography as Historical Evidence Transcribed February 9, 2001 Translated for ASX by Osvaldo Sanviti, 2013 Life goes on before us in a continuous flow. To freeze a fragment in an […]
Untitled, (Adela Legarreta Rivas is struck by a white Datsun on Avenida Chapultepec, Mexico City, 29 April 1979) Despite their often gruesome content, it is fascinating and often too easy to look at Metinides’ pictures. In the same way that many of the photographs depict audiences amidst tragedy, we too become spectators of the event. […]
He was so respected by the NYPD that they let him fit a police radio in his car, but even with that edge, his uncanny ability to show up at a crime scene before the police even knew about the crime gave him his nickname. Weegee was so fast that he must be getting tip-offs […]
“I feel ever so strongly that an artist must be nourished by his passions and his despairs.” – Francis Bacon Francis Bacon (28 October 1909 – 28 April 1992) is largely known for his grotesque, graphic and emotionally raw imagery. Bacon’s abstracted figures typically appear enclosed within glass or steel geometrical cages and […]