The first part of Jörg’s post that needs immediate attention is the following: his response to the broad claims made between the journal questions and the survey responses indicates a lack of serious criticism. I might address that I felt several publisher responses, from my end, were quite diplomatic in their answers. There was […]
Photography has a long history of documenting performances and rituals. The two terms, though separate are inexorably linked when they cross the path of divinity in all of its forms, invocations, and variations. From Christianity to the most abject forms of its antithesis, photography has always been instrumental in the documentation of rituals, the […]
PHOTOBOOK YEAR-LONG COURSE MAY 2022 – MAY 2023 The Intent I have been enthralled with the photobook medium since the late 90s. I do not see the photobook as a simple vessel for photography. I see it as a medium that can be understood as the final message. The book suits me as a […]
In 79 a.d, Mount Vesuvius erupted with a volcanic activity that completely destroyed the Bay of Naples region including the small, but thriving community of Pompei. Pompei was a Roman enclave like most at the time. It had markets, homes, and open-air theatres that featured beautiful mosaics, Roman sculptures and was situated close to the […]
RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]
“In the case of the schism between our home life and the outside world, it takes a taxing event to traction our movements in order to think through the slowness of change beyond the window sill” Frame by frame, the casualties of observance are often manacled to an enveloping banality, a nothingness that […]
“Animals by evolutionary prowess and survival mode are given differing powers of sight. Humans with the benefit of great vision are still limited to a fairly diffuse understanding of the wider spectrum. Such is the case of our art as well” On the face of it, color or chromatic evaluation of form is spectrum […]
“I proceed in conversation with the camera, with other photographs, with other photographers, I forget about what writing can do, I think about what photography can do.”
“Though the clues to what could be considered “absent” “voided” or “gone” are not to be entirely championed nor ignored, the work follows a circular format. It is an examination of place and home and the subject’s way of seeing the familiar and unfamiliar at the same time. This inquiry of Schmidt’s is adept if not deftly demonstrative.”
“In Vancouver, there is no image of nature that is not at the same time an image of private property.”
“The idea of art and politics co-existing is no more or less deeply problematic than the idea of them being separate. But nobody said it was going to be a picnic.”
“Finally, a “Eureka Moment”- the image I “took” belongs to Martin Parr, the Godfather of Gaudy. I know this not because I have any of his books or any desire to devote much attention to his work, I know this because I have the Internet”