“The Wound Which Speaks of Unremembered Time: Nan Goldin’s Cookie Portfolio and the Autobiographics of Mourning”
Cookie at Tin Pan Alley, 1983 “I used to think I couldn’t lose anyone if I photographed them enough.” (Nan Goldin) By Mihaela Precup Long before ACT UP started rewriting the sick bodies of AIDS patients as vital, strong, and fighting back, photographer Nan Goldin thought she saw an ill omen in the underground New York […]
