Edward Steichen’s gestural Studies of Isadora Duncan at the Parthenon, Charlotte Rudolph’s studies of German dancers, James Abbe’s still frames of Anna Pavlova, Barabra Morgan’s studies of Martha Graham and her Letter to the World, and a number of other medium-defining images can be accredited to an embrace of the body in movement. […]
Next of Kin is everything I want to see in a photobook. It has the raw energy of sub-culture aesthetics coupled with a formal set of skills that exhibits the artist’s obviously studied qualities. It suggests that you can keep the energy of your life in your work and still know how to […]
The emphasis on performance or performing photography seems like a never-ending discussion. I have been looking backwards through the history of photography and can see without much difficulty that its Western beginnings are full of images that exemplify the tradition such as Hippolyte Bayard’s Self-Portrait as a Drowned Man from 1840 forward through […]
“However, I am interested in how we discorporate and re-corporate an image of somebody based on how they wear themselves to the public and what the conversation around the image of that person is by addressing their image and performance in it as iconic”. How do we disassemble a look, let alone an “iconic” […]
It was the best of years…. Once again it is that time of year where I try to drum up some sort of edit from all of the incredible work the photography book world offers up. This year is difficult as I felt it has been one of the strongest years in recent memory […]
A multiplicity of femininities in flux in Schorr’s 8 WOMEN By Charlie Tatum, ASX First things first: Collier Schorr’s 8 Women is strikingly beautiful. It’s comprised of thirty-two luscious, yet minimally styled, fashion shots of models, artists, and Schorr’s friends, culled from the past twenty years of her career. Many were snapped at hired shoots, […]