The full 2100 Word essay with 11 photographs on Tomaso Clavarino‘s Padanistan published by Studio Faganel and Guest Editions can be found here. Thank you for your support. Summary Text below “My suggestion is that this is a vital book. I am not sure if it is a bit regional in scope. One […]
One of the enduring traits found in the photography of Luigi Ghirri is the way in which the artist played with the camera and the optical alignment of photographic images. His quest for optical games, shooting from behind the corner or through the veil as it were created a dialogue in photography that at […]
Gabriele Basilico is not an artist whose career I had given much consideration to outside of his architectural and urban planning-like topographic images. His poetic monochrome images of both historic cities and bustling urban centers, with their deep and penetrating contrasty shadows, and his fixation between newly built technocentric cities and conversely dormant economically-challenged cities […]
Guido Guidi’s photographs emanate from concerns that underpin a long tradition of art in Italy. While most of his images are consultations of place and perspective, the larger considerations for his work examine a minute rendering of color palette, shadow, and subscribe to a cornucopia or semi-neutral examinations of “the moment”. These images, in […]
I think of Massimiliano Tommaso Rezza’s process as being a dislocated type of photographic practice. His work functions on the viewer being able to unlock parts of his cryptic use of images, but never all. One is asked to recognize inherent photographic themes and usages, but it is very difficult to place an exacting context […]
RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]
“When we drift, we drift in short bursts tethered to the imagined shores of our domestic chains” When we drift, we drift in short bursts tethered to the imagined shores of our domestic chains. The waves reach knee-deep before the tide allows us frolic or adventure and ever-so-slowly, there is a pull, a resounding […]
“The vernacular leads to familiarity and that, in turn, leads back to us, the viewer, as we complete the photograph with our reception. Private and public memories stumble down the rabbit hole together.”
“Where is “the thing I am not seeing”?” We’ve become quite accustomed to understanding the importance of photographs based on the frenetic pace that they occupy. Our eyes are expectant. They hover over an image looking at the embedded chaos of news images, photographs of cities, etc. and when they are challenged with a […]
“I think what was really drawing me to Marina’s book was how it was animating this story of the mountains, their potential and actual destructive forces and how human lives are so dwarfed in the scale of that force yet so emotionally attached to life in the mountains.” – Sunil Shah
“Perhaps it’s that what I think I know about photography is really a simple cancer in which I pretend to understand what it offers by the speed in which I believe its delivery system acts as a conduit for its understanding. Perhaps, I want things to slow down as I get older and […]
It was the best of years…. Once again it is that time of year where I try to drum up some sort of edit from all of the incredible work the photography book world offers up. This year is difficult as I felt it has been one of the strongest years in recent memory […]