Full Article on Patreon So, the dig at post-industrial decay has put a giant bee in my bonnet. But what should I expect about the unspoken class issues that revolve and permeate through and in photography these days? I mean, if you have a New York-London-based photographer stat in your bio and are in […]
Full Article on Patreon …In assessing Dark Matter, I am also reasonably confident that this use of newspaper imagery is lodged in the artist’s practice from influences such as Michael Schmidt, whose book Ein–Heit, produced in the 90s, made great use of similar aesthetics of inconvenient German history, which was photographed and hung […]
From Gui Marcondes I Know I Exist Because You Imagine Me …By having our monthly meetings, the artist, who may work a day job or run a family, is encouraged to return to work to provide progress notes. There is no strike against them if they cannot bring something new every month as we […]
Full Article on Patreon Gervin’s work reflects the American moment in the second decade of the second millennium through tendencies similar to those seen in a good deal of American photography during the Vietnam War era. I see some resemblances to protest coverage by Gene Anthony, a Black Star agency photographer who captured the […]
Dave Heath – One Brief Moment Review by Simon Bray Within the opening pages of Dave Heath’s ‘One Brief Moment,’ there is a certain air of occasion. Gathered masses fill the middle of the street, suggesting that these are not singular moments but a crowd united by a collective sense of anticipation and […]
Full Article on Patreon …11:02 Nagasaki contains elements of documentary practice mixed with an emotional and highly subjective style of photography. In essence, the book is caught, like Kawada’s Chizu, between two schools of thought regarding photography. On the one hand, there is a legacy of photography that considers politics and a (at […]
Full Article and Full Sequence of Book on Patreon The desire found in that book functions incredibly obliquely. Images of women do not, even when on a bed and nude, represent sex or an objectifying element; they are reduced to the same void as everything else and feel like a piece of the vortex. […]
Review Excerpt Graubard’s Road to Nowhere is a mercurial title. Published by Loose Joints, the last home of which I might expect to find a book on civil war and discontent to be published, the work reflects neither a war book nor a specific Aftermath book. Aftermath or post-event photography is a genre that looks […]
Alessandra Sanguinetti Some Say Ice MACK/Magnum Photo A girl plays the piano convincingly. Another different girl, spotlit, plays a different piano, slightly less convincingly. Steam rises from a river, possibly black, convincingly. A buffalo mourns Its condition confined between fences during a winter snowstorm, most convincingly. A man’s hands clean a six-shooter pistol, and I […]
“Throughout Meaker’s book, there is a pervasive sense of an unseen world, a drawing back of the curtain to reveal places that are looked over or are content to sit idyll and unobserved for the sale of their posterity. The artist pivots her camera towards the thicket and stagnant pools of water left behind […]
As a collector of vintage photography with a penchant for the curious, horrific, and sometimes downright traumatic, it is no surprise that I gravitated to Ossian Brown‘s book Haunted Air published by Jonathan Cape in 2011. There also appears to be a new 2022 edition available. I am reviewing the book now as it […]
Diane Arbus, from Untitled This is a 20k-word reaction to Diane Arbus’s posthumously published work Untitled by Aperture. The post comes from a long reaction post on Brad Feuerhelm’s Instagram, where various members of the photographic community replied with their thoughts about the book and its ethical boundaries. The resulting post is a […]