“He recalls developing his negatives by moonlight, having to make his way to the ferry on a road thick with often-time un-negotiable elephant herds. He tells of carrying his chemicals with him and cutting down his negatives to get a surplus of possibilities. I never had this.”
@ Michele Sibiloni Its tick-box approach to images, the title, the cover, the text within capitalize on the “rough” Ugandan nightlife and seems very much directed at a Deutsche Bourse Prize/ Magnum/ Western White latte audience. I usually start most of my reviews with a literary metaphor. I feel to do so is to […]
“I was completely blind by the way. My optic nerve had been bounced off. I couldn’t see a goddamn thing. I had a huge hole in my leg, went right through here.”
“(Congo) is one of the very few places in the world that has not been extensively documented.”
Now, it’s hard to defend yourself if you are in possession of the ‘white privilege’, as I am…
I’ll Write Whenever I Can, Koobi Fora, Lake Rudolf, 1965 @ Peter Beard Andy described him as – “one of the most fascinating men in the world …… he’s like a modern Tarzan. He jumps in and out of the snake pit he keeps at his home. He cuts himself and paints with the blood. […]
“We live in an era where artists constantly have to self censor. In my experience more often to pander to a disingenuous idea of political correctness than to conservatism.”
from Urban Life: Beauty is in the Name of the Beholder @ Nontsikelelo Veleko POV Female Johannesburg, REVIEW. By Fanny Landstrom, for ASX, July 2013 POV Female Johannesburg – five young female artists featured in a limited edition box of 100 copies. POV stands for Point Of View and has featured artists from London (2011), Tokyo […]
Lemvo Jean Abou Bakar Depara, known as Depara (1928–1997), was an Angolan-born photographer who worked in the Democratic Republic of Congo. Depara purchased his first video camera to record his wedding in 1950; four years later, he was made official photographer to the Zairian singer Franco. In 1975 he became official photographer to the […]
“I seem to have an innate propensity which has been fed by life experiences and heightened by the kind of hyper-awareness that photography sometimes enables and demands…” “My first awareness of a bodily particular that I can recall was of the bulges made by the flattened flesh of my inner thighs as I sat […]
“My work is more based on sequencing than in experiencing the aesthetics of the images so the book seems to be my perfect solution, plus, it is and object and the possibility of translating a concept or idea into something you can touch, smell, tear apart or archive makes it really interesting and complete.” Brad […]
Farmer’s Son with his Nursemaid. Marico Bushveld, December 1964, 1964 “During the years of apartheid, I was concerned with trying to…with exploring why people valued this peculiar and evil system and how they expressed those values in their homes, in themselves, in their bodies, in the things that they built.” Interview conducted by Laetitia Martinez, […]