Kim Thue from Lode Image is contained in the press pack. Full Article on Patreon I also believe artists should be open to dialog. Not every conversation is an inquisition, and if your intentions are not poor, we all gain in you underscoring your thoughts instead of hiding from them or our questions. Many […]
“Ractliffe’s work, whether consciously or not, emerges at a time when the impossibility of representing experience started to gain purchase in discussions around the medium’s shortfalls.”
Thana Faroq’s I Don’t Recognize Me in the Shadows is a book of complicated subjects. First, there is the subject at the heart of it all, namely Thana and her experience as a Yemeni Refugee who found her way to the Netherlands through the gruelling and heart-wrenching ordeal of leaving her family in Yemen where […]
“Are classifications necessary? What are there limits? Who can photograph who and what? “ I am always curious by what we consider the exotic in photographs. I often find myself thinking of the vestigial media forms of the past- all the inconsistencies, problematic discourses, and general selling of anything “other” in photographs, magazines and […]
“Krijno’s images are threaded through with references to South Africa’s colonial history and its fragile post-apartheid democracy.”
“There is noise, distortion, grain and the magnetic tape in my mind completely fails in parts to distribute any information at all. The images are dark, stained by the passing of time and the incredulous weight of dry heat. Throughout the song “Blackened” by Metallica plays over and over…” When I look at […]
Fons Americanus is a 13-metre tall working fountain inspired by the Victoria Memorial in front of Buckingham Palace, London. Created by artist Kara Walker for the 2019 Hyundai Commission, it is one of the most ambitious installations in Tate Modern’s Turbine Hall to date. Rather than a celebration of the British Empire, Walker’s fountain explores […]
“It is this binary position that implies the view that African colonization created only victims incapable of looking after themselves, impotent against their oppressors and incompetent without.”
“It is an aesthetic examination of the material of everyday life that barely impinges on representational issues and I love that about it.”
“Everything about the city made me uncomfortable and raised questions: the landscape, the atmosphere, the situation, the agitation, etc. It seemed so imperfect. I wanted to understand this chaos.” To the West, is the Atlantic Ocean and the Americas. Facing East, the huge Sahara Desert. The city of Dakar in Senegal sits in between these […]
“Trees, leaves, flowers are all given the Sells treatment and become abstracted metaphors of the sacred geometry still found between light and organic materials within the aforementioned natural world.”